5 v1 s- F8 E5 e2 t
% a2 ~" G( w' B$ a8 F3 D: W3 y
" j7 D X4 E, V; g 新歌 5錯。。 哈哈# |) K( m# D4 h
; g9 B/ r6 L- s) } Hot n Cold - Katy Perry & J# b9 T" G' t- p9 Y! f: y3 O1 k A& }. q: O' l2 n5 N
You change your mind # s( T/ \: }3 q: A- E) [Like a girl changes clothes: V4 }& O% }0 L, G+ X9 ~
Yeah you, PMS % R9 v8 R2 G% \# u7 nLike a bitch, ]; L1 E- l) r t; F+ N
I would know5 D( @8 F: s* N5 M$ X/ x7 ^# \, @1 }
9 a7 h+ Z6 H( e( R1 E9 @$ q
And you over think. d9 u0 I7 G# J! D% c
Always speak5 [% w: [, w1 q- e# M6 [+ D( N
Crypticly: R. Y9 w( T. ?7 d. d! m+ I' t% a) E9 U) k
) w& W/ k# Q4 C5 t- y1 |$ t" N0 H; p
I should know & M, @& P) [9 P" k4 H zThat you're no good for me 5 k7 H. K+ \9 U5 C2 Q- @8 ? ^, n7 b' k8 }
Cause you're hot then you're cold. _! ~$ D+ b: [# @' t
You're yes then you're no) M, A+ r- h/ |
You're in then you're out' @# d2 j7 f/ ^& p
You're up then you're down, x, b$ C( w, D( C( ]! Q) d- V
You're wrong when it's right" T4 N% D. y8 w4 F3 D3 J' \
It's black and it's white0 E' S1 [! c# H. t
We fight, we break up + t5 E+ j' z; ^* n4 Q G+ @We kiss, we make up 3 A' N) |3 W# v(you)You don't really want to stay, no 1 M: l" }3 q0 L* Z0 f- i(but you)But you don't really want to go-o/ ~: x4 @( V! Q7 O2 F2 i$ G( W
You're hot then you're cold 5 j8 r' I/ Y/ E! L e* EYou're yes then you're no" k2 z% l* }, ?7 ]- _
You're in and you're out 0 K; f$ e; B" }1 d5 p& ZYou're up and you're down 9 h2 H; q6 y" \- W( \& Z, z8 T2 i5 u' u; \$ W7 m- B$ G, L
We used to be8 e2 ~; k9 y6 L$ u9 B0 L
Just like twins+ t( c, ~7 M+ ]# I* W
So in sync 8 ~9 n0 b: L/ T: @: u uThe same energy7 T1 S6 k. }9 f
Now's a dead battery# v9 X5 X: |0 \/ s X
Used to laugh bout nothing* m3 J( r7 G. b- W5 w! g2 P+ [7 p" K6 R
Now your plain boring % m+ t5 W6 \2 f( X4 k6 ^( k! b4 ?5 y3 A8 u6 ~
I should know that( D! L) H9 w9 Z) Y; Y2 O
You're not gonna change X: ?4 F% Z( ~$ \0 S& q 4 Z7 ?7 k# [7 t1 Q. nCause you're hot then you're cold $ z( U) b8 h: hYou're yes then you're no. W/ i/ @& n. A+ t+ Z, h
You're in then you're out+ c* R7 ]# ?- C: b
You're up then you're down 3 k9 W& N. c7 w c/ p: B: B- nYou're wrong when it's right* p7 @+ o. _) x. ]9 v
It's black and it's white . {% ?/ e s; p3 ~ q* TWe fight, we break up2 c& h# a1 S2 d& r8 d0 [+ j
We kiss, we make up4 a# w5 h2 h& k; J5 o
(you)You don't really want to stay, no% R2 x$ p2 c1 F ]+ [+ Y
(but you)But you don't really want to go-o: G) Z3 z5 v2 `, ~* U6 ]: i' q
You're hot then you're cold' h5 l) i" e6 m3 j9 @9 z
You're yes then you're no+ Z5 k- M# g/ A' m% t
You're in and you're out+ F$ `& v6 H& K& o( l+ }
You're up and you're down 1 O Z3 M) F' T; t& ` ( f# ?. A% r5 z5 [5 ~/ k- RSomeone call the doctor * t) P) h; [( \ i+ q3 a* ~Got a case of a love bi-polar: g `! O4 W" v3 ^5 H3 c3 ?- S
Stuck on a roller coaster 1 P4 n; h( v* ~! z! O; K4 yCan't get off this ride ( |; R ]; c4 m) ]% E* T' \* m# J7 j8 o0 C& l8 n$ s5 G
You change your mind# @8 q: q5 N4 m, b- k& \# R; ?# ~1 C
Like a girl changes clothes7 O( x6 ]$ b4 b1 |; p( f+ A& h7 O
/ Z3 i- b# [1 U; ]9 G
Cause you're hot then you're cold ) @) F4 }" H8 S9 g; S! e/ O n4 X9 mYou're yes then you're no8 Q$ y8 ?$ k f
You're in then you're out/ X) Y( E& `! S, C% e y8 {4 i( g
You're up then you're down( D5 ^# G2 K* {1 _
You're wrong when it's right! L; m* }' M! Y) P) Y3 O2 j
It's black and it's white7 l- w& d S+ L$ Q1 Q0 C6 t
We fight, we break up! _: Y8 i& D1 q7 |
We kiss, we make up: v, O( D# M! B7 T' `
You're hot then you're cold ' {& o6 {* c a3 L4 BYou're yes then you're no' m& L# o* d/ J! t
You're in then you're out # g5 B+ v5 ?& HYou're up then you're down 9 U! Y$ ]% V* S, u" J! BYou're wrong when it's right 3 b; Q( c2 d0 ~3 u0 }9 |8 cIt's black and it's white$ r7 N& w( Y/ o# a
We fight, we break up& {. Z1 W$ i4 Q$ B- V1 ?
We kiss, we make up" c7 ~1 d0 J* o9 H( i
(you)You don't really want to stay, no - L8 v! D0 \( N6 [" K(but you)But you don't really want to go-o 7 O. F3 r" j& E) L, o. jYou're hot then you're cold + o" d4 c, D7 C& e0 VYou're yes then you're no1 m1 z7 h a+ g" R* x
You're in and you're out, C! k4 ?2 F2 N2 j$ i+ [
You're up and you're down